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My vampire’s hapless, disheveled, Bugles-eating professorial ghoul may die on Thursday at our game, and if not on this Thursday, some other future Thursday. Given that he’s involved in a turf war between clans in an increasingly unstable Domain, it’s really pretty likely.

Intellectually, I’m prepared for it, because it makes sense in narrative terms. Still, that doesn’t mean that I–as a player, not just as a character–am not going to be really upset when it happens. (My only consolation is that I suspect our ST is going to be upset, too, because he’s also rather fond of that particular NPC.)

Now, my ghoul isn’t a super valuable +12 sword of macguffin-slaying that ends up turning the tide of the game. In fact, the Doc has generally been more trouble for my character than he’s worth, as he has a tendency to be imbibe at all the wrong times and take books from the Tremere at all the other wrong times, leaving my character to answer drunken text messages and discuss lending library hours with a hostile clan when she ought to be running from something dangerous and toothy. Yet I like the NPC enough that I have put serious thought into retiring my PC just to move him out of the Domain to safety.

I’m just going to stop for a minute to let that sink in: I’m tempted to retire a PC I love to save a relatively minor NPC.

Part of me is really horrified to admit that. I’m fairly certain this puts me squarely into the “unquestionably insane” category. On the other hand, I think it indicates how much I’m enjoying this particular game.

Between the upcoming peril and an interesting conversation elsewhere on the internet, I got to thinking about the relationship between good RP and the extent to which any given group of players allows itself to be vulnerable around a table. By definition, all roleplaying requires a base amount of vulnerability, as you’re telling a group story. Yet some groups reveal things about themselves more comfortably than others, and some GMs/DMs/STs encourage that sharing better than others.

I have to say that my own tendencies in this area aren’t always great. When under pressure–in both RL and in game–I have a tendency to turn into a manic Oscar Wilde. This is why people like to sit next to me during meetings. If given free rein, I’ll do much the same in game. Even when I’m at my comedic best, though, those moments only go so far in furthering the storyline itself, and they invite other players to riff off of the comedy, not explore the atmosphere or the framework of the moment.

In many ways, my (and many of my friends’) impulse to be funny is a reaction against revealing too much at the gaming table. I’ve noticed that we often do it when things get rough, either when we aren’t sure how to tackle a particular difficult task or when we are being asked to respond to a story element that may get emotionally tricky. It’s an avoidance tactic, and many gamers feel they have the right to it, since we game to have fun. Yet I’d argue that many of us game to stretch ourselves intellectually and emotionally, too, and that’s where the comedy routine weakens the aims of gaming.

Let me back up for a minute. I was sitting in a meeting a few days ago next to our Vampire ST; as usual, I was being funny via text message with a handful of friends around the table. Then I was struck by the realization that I would never want to be sitting across the table on the other side of a negotiation from my ST, especially one in which we disagreed. It’s unlikely to happen, since we’re in different departments, but I suddenly realized that he knew more about my negotiation strategies, soft spots, stalling tactics, and overwhelming desire to collaborate (even when it’s an incredibly poor choice) than people who have known me for years. Ditto for the other players. It struck me suddenly that I played this particular game more honestly than I had played a game in a long time.

Don’t get me wrong. I’ve had a lot of outstanding gaming over the last few years. Yet still, I’m fairly certain our Vampire game is the most satisfying RPG I’ve played in a long time, partly because we have built a table around which we aren’t afraid to take some risks. Quite a bit of that comes from having a group whose gaming goals match so completely.

Let me give some examples of varying goals. My WFRP players were deeply invested in the bizarre storylines of that game; they weren’t minmaxers in the traditional sense, and they weren’t always all that interested in the mechanics of the game. They wanted to find out what was going on behind the scenes, and did a lot of snooping around to figure out why things were as they appeared. A handful of recurring NPCs elicited some strong feelings (the annoying orphan Waltrout was one and an actor-turned-kidnapper named Klaus was another,) and they loved lightheartedly bantering with one another, constantly egging the dilettante on to ask about getting her clothing cleaned in the Inns they visited or suggesting to the Priest of Sigmar that he indulge his desire to start fires. Overall, narrative motivated them, both the prewritten narrative of the adventures themselves and the evolving narratives they were creating on their own. The group had a lot of warm, positive interactions in character, but for the most part, they were light and without much long-term consequence. I will take quite a bit of responsibility for this as the GM, since the Warhammer world tends to fascinate me; I undoubtedly encouraged my players to look at the world and its narratives more carefully than, say, the NPCs or the combats.

The Pathfinder group I played in years ago and still play with intermittently during summers solved puzzles. Where could we best orient ourselves to kill the monster in this particular room? How might we negotiate the best deal for this doodad we need to finish the adventure or steal it if nobody had a decent negotiation skill? Was there a skill or item that negated the problematic spell just cast by the NPC, and if many of us had it, who should best spend the charges to use it? Again, we had a lot of fun tabletop banter, but a good two-thirds of it was out of character; we talked about the game much as you’d talk about a board game and dipped into character when we had to do a negotiation or somesuch.

Our current game has slightly different stakes: can we outwit and out-negotiate these NPCs, most of whom elicit pretty strong feelings? Can we keep doing it week after week, despite the drastically changing fortunes of our Domain? Can we find out what those NPCs don’t want to tell us openly? With which PCs and NPCs will each of us build relationships, and will those turn out to be short-term alliances or long-term friendships? Certainly we go “do stuff,” but the majority of things that we do in game have the reward of increasing our characters’ reputations and opening new doors to build relationships.

When pressed, most of us would say that most RPGs can encourage all of these types of play, and most games do have a smattering of each these elements from time to time. Generally speaking, though, any given player will likely have more strength in one area than in another. A given system will likely encourage one kind of behavior over another. Most of us play in groups with a split talent pool: you’ll have one player who wants to build relationships, a couple who want to solve puzzles, and one who wants to discover narrative. These players often get stuck negotiating the added complexity of the ST/GM/DM’s own vision of ideal play and the extent to which the chosen system allows that play. Once in awhile, though, you luck into a group where all the players have the same main goal and execute it equally well; once every Brigadoonish number of years, you’ll luck into a group with a unified play style that has chosen a system wisely and that has an ST who manages that play style well. At those moments, then, players can take risks at the table without worrying that their play detracts from another player’s game or from the ST’s vision of the game as a whole. For me as a player, that’s when the real magic happens, as everyone around the table seamlessly supports each other in the goal of good gameplay. That’s also when a player decisions feel truly meaningful because the scope of play has narrowed enough that events can have a genuine impact on a dynamic game world–like when it feels reasonable to retire a PC to save a hapless little ghoul.

GW recently announced pre-orders for their new Chaos Space Marines army, and the items are selling fast, despite the usual griping about GW’s pricing model. (Apparently this is the most expensive Codex yet.) They’ve also released a handful of special miniatures which might work perfectly for your 40K game, especially if you’re playing Black Crusade. These include the cheerful Warpsmith, the happy little Apostle, and the delightfully welcoming Daemon Prince, not to mention the fun Forgefiend/Maulerfiend kit with its 67-components’ worth of choices. I could just see that last one as a recurring NPC. In fact, that last one is the only thing I’ve seen that might make me get out my Collector’s Edition Black Crusade and run it. I will call my NPC Maulerfiend Spot, and it will follow the PCs around ALWAYS.

I collect a lot of RPG systems, often buying just to take a look. I’m fond of storytelling games, and although I have a hard time getting them on the table, I do think that reading a wide variety of types of systems helps a GM become more effective at telling a story and managing a table full of players. I’ve incorporated ideas from Luke Crane’s games (Burning Wheel, Mouse Guard, and Freemarket) into my Warhammer sessions, and I’ve found that they’ve positively impacted how the players at my table interact with each other and how they solve puzzles within the game world.

These days, many of the most intriguing new games start over at Kickstarter. If you’re a gaming junkie like we are, though, you can easily spend hours on Kickstarter looking up stuff in all of the categories of gaming you enjoy and miss some key projects. That’s why I was delighted to find the RPG Kickstarters feed over at Tumblr. Here, you’ll find a descriptions of all of the newest RPGs on Kickstarter and links to their funding pages. It’s a great resource for those of us who want to keep up with what’s happening in the Indie/Small Press scene. There’s also a great page of advice for writers considering Kickstarting their own games.

Go Kickstart some awesomeness!

Yay! Rodeo games announced recently that they are developing an iOS version of the classic board game Warhammer Quest. I played the original version during a session in which a local board game collector pulled out a whole bunch of his “classics”; it’s a quirky and fun little game, partly because it’s so hilariously perilous. I’m looking forward to seeing it again in an electronic version, and as always, I’m delighted to see more Warhammer products for iPad. Here’s IGN’s scoop with a bit more info. A detailed description of the original board game can be found here on Board Game Geek.

I was in a not-so-local but still friendly gaming store the other day where they had a table dedicated to Wyrd Miniatures/Worldworks Games Terraclips for Malifaux. These sets feature lovely, full-color building pieces in modular sheets on hefty punchboard (1.7mm thick, to be exact.) You can clip the sections of wall, flooring, and roof together with the little terraclips made of transparent plastic so that they don’t mar the overall look of the terrain. I only got a quick look, but they seem high-quality and versatile enough to fit multiple scenarios. Best of all, a disassembled and boxed set takes up about the same space as a couple of RPG rulebooks. The Malifaux set would work well for any dark-ish city setting, (general WFRP and Mordheim both leap to mind,) and Worldworks has several dungeon sets coming soon that includes lava pits, rooms full of gold, and sarcophagi. These strike me as a nice compromise between easy-to-damage cardstock buildings and difficult-to-store plastic or resin models. I hope they plan to keep expanding the line! In fact, if this product line keeps growing and the space in my apartment keeps shrinking, I might end up replacing my own shelves of cardstock scenery with these.

After mouthing off about how the Dreadfleet Captains POD expansion wasn’t stupid or useless back here, I passionately put off buying it for several more months. We recently passed through our favorite gaming store on the way home from vacation, though, and that gaming store has a Seductive Wall of Fantasy Flight Things with FFGTV. Seduced by the Wall, I threw a whole bunch of FFG stuff into our basket that I didn’t need, and the Dreadfleet Captains expansion made its way in. Having now made time to take a look, I thought I’d say a few words about it.

First of all, to its critics: yep. You’re not going to use this one often, so there’s no need to pick it up unless you have a specific idea about how to work it into your campaign or you’re a completist like me. In the box are ten quirky NPCs from the Dreadfleet ships, ten new sailing/pirate-related actions such as “Conjure Wind Spirit” or “Fysh Bite,” six location cards for places on and around a ship, and ten standee cards.

I’m impressed by how much info about the game mechanics FFG crammed onto the playing-sized cards; you have everything you need to run the NPC in a fight right at your fingertips, plus a small portrait. Turn the card over to reveal a slightly larger picture that you can share with your players. Each of the Captains has a couple of special abilities to make him a more challenging combat opponent. The action and location cards are standard stuff, although I’m very fond of the Overboard card with its jaunty octopus tentacles reaching up menacingly from the sea. I am also rather amused by the standee cards. Although I use miniatures, FFG has gone out of its way to ensure that players have a (relatively) inexpensive alternative with the cardboard standups generously provided with each set. Flattening those and providing them in card form cleverly continues this trend.

What’s sorely missing in this set, of course, is the fluff. Who are these guys? What’s their story? What are they like? With the sheer strangeness of the captains and so much existing lore, it’s a shame that you have to go elsewhere to find out, but there’s no lack of material out there. You can pick up the Dreadfleet battle game or read the Black Library Dreadfleet novel. (It’s available on iBooks!) Games Workshop will be delighted to sell you more stuff, have no fear.

Overall, FFG’s Dreadfleet Captains is a vaguely interesting but quirky expansion that nobody needs to play WFRP. If you’ve got some decent reason to feature the captains or would like fifteen location and action cards that have to do with ships and pirates, though, you might find it a good use of your $10.

Emirikol, one of the most active members of the FFG Warhammer community, recently started a thread to gauge interest in a 3rd edition scenario contest. He’s going to sponsor the prizes himself, and the submissions will likely start a new little library of convention scenario content on the Liber Fanatica site. Although there’s currently some discussion about what the final submission requirements will be, Emirikol’s hoping to give us GMs a choice of convention scenarios that we run at local cons to widen the fanbase–something we’re currently sorely lacking.

I’ll probably enter if the competition goes official. If you’re at all interested, see the proposed details below, then throw your hat in the ring by responding to the thread here.

Proposal: 3rd Edition Convention-Playable Scenario Contest:

PROPOSED Deadline: November 1st, 2012

Assumptions: It is assumed that GMs running the scenario have access to the Core set, Winds of Magic, Signs of Faith and Adventurer’s Toolkit (i.e. everything included in the Player’s Guide and GM’s Guide). References beyond those should be summarized in a sidebar where possible.

Minimum Scenario Content: Scenario must be all-new/original.  Not including pre-generated characters, the length should be from 10-40 pages or between 5000-13,000 words and be playable in 3.5-4 hours. Part-II should be added as a separate entry if scenario is expected to go over this time with additional expected play-time listed (shoot for an additional 4 hours). Adaptations to previous editions may be included in a separate appendix.

Submission Formatting Recommendations: 11 or 12 point readable fonts 2-column except for appendix, maps or handouts, and 1 inch margins maximum.

Pre-Gen Character Formatting: If pre-generated characters are included the following format is recommended: Section 1 – Character sheet, Section 2- summary of cards needed, Section 3 – Attitudes towards other PCs. It is ok to instead reference specific Liber Fanatica 7 pre-gens rather than including new ones, but you may wish to include attitudes towards other PCs section.

Formatting layout: Page 1 – Title Page with Blurb, Author(s), and legal disclaimer.  Other minimum formatting requirements: rank/career minimum expected to play, course of expected play (scenario synopsis), background, content (by Act and Encounter). It does not have to be a railroad, but it does require a “most common course of expected play.”

Stat Block: It is assumed that all GMs have the Core Boxed Set, but not the Creature Guide or Creature Vault. Monsters found in the Core Set may simply be referenced, otherwise more complete information or summary side-bar. NEED STAT BLOCK FORMAT

Judging: Liber Fanatica and anyone who wants to help, including writers who submit (can’t vote for your own).

1e, 2e adaptations: Appendices with 1e, 2e, or Zweihander adaptation stat blocks, etc. do not count towards word count.

Prizes : Each author that meets at least minimum content standards get a copy of DLSS (official print copy, max 1) and hosted on Liber Fanatica website. Runner up gets the printed J2BFP.  Winner gets: Journey to Blackfire Pass (with cardstock pregen’s- official copy) and some gift certificates or dice or something (TBD).

I’ve been away on vacation, so I haven’t had much time to update–in fact, I’ve been backpacking, so I’ve been away from wifi or 3G range for days at a time. Naturally, as soon as I got back to civilization, I dove into a sea of emails, texts, and Google searches to answer random questions that had popped up during our hikes that we hadn’t been able to solve immediately. (Makes you realize how dependent you are on the internet to answer your “idle questions.”) Once I’d finished with my first internetting frenzy, I decided to grab some new reading material for the last few days away. Just out of curiosity, I typed “Black Library” into the iBookstore to see if there was any Warhammer content.

Quite awhile back, when iBooks were relatively new, I’d looked for BL content on the bookstore, and there hadn’t been much. I went over to the official BL website and ordered some etexts there, and while it wasn’t a terrible pain to import the etexts to my iPad, it was just enough of a hassle that I hadn’t bothered to go back. All that’s changed–significantly. Now there are over thirty-three screens of English BL content on the iBookstore and several more of French language content! Delightful. Now I can satisfy my need for trashy Warhammer reading and expend as little effort as possible.

I also notice that Games Workshop has put up the Codex: Necrons; it does look as though they’re going to make an effort to put all of the Codices onto iBooks. As I said here, I do think the format’s promising, and I’m glad to see they’re continuing. I just hope other RPG publishers decide to go the same route!

Overall, I’m glad to see more of this type of content on the iBookstore. I tend only to buy books I need for work as physical copies. I already have such a huge library from grad school and for work that I don’t need to fill it out with tons of other texts that I’m unlikely to annotate. It’s nice, then, to pick up a few Warhammer books in ebook format, and if it’s easy to do at 2am when I’m already on my iPad, all the better.

Unsurprisingly, I went ahead and coughed up the $42 for the Codex: Space Marines just to see how Games Workshop managed the iBooks format. My willingness to do so is entirely inexplicable, by the way; I don’t play 40K, and I don’t have a Space Marines army. I did enjoy the fluff in the book, though, and if I ever get around to running Rogue Trader, I suppose it will come in handy. Also, it’s almost my birthday, so why not? It’s not my intention to critique the book’s content; instead, I’d like to say a few words about Games Workshop’s use of the format itself.

If you go to iTunes and look up this book, you’ll see more than a hundred reviews that give the book one star. Many of these thoughtful, honest, ethical reviewers haven’t even bought the book–they’re just complaining about the price point. Apparently they feel as though an electronic version of a book shouldn’t cost the same as a print copy, and that’s enough for them to give the book one star. What we’ve learned here is that iTunes shouldn’t allow you to review a book you haven’t bought from them. After having spent some time with the text, I think GW’s implementation of the Codex is a wee bit flawed, but very promising as a whole; it’s not yet five stars, but it’s certainly not one star, either. Many complaints say that much of what the iBooks version accomplishes, a PDF also accomplishes, and that might be true. Still, as far as I can tell, the only PDF versions of the book available are illegal copies, so I’m not wholly swayed by comparing the functionality of a legal copy of an item to the functionality of an illegal copy.

Here’s the scoop on the details of the iBooks implementation:

Players will likely find the iBooks copy very useful during actual play, and the interactive visuals make it a delight to sit and read.

  • The hot-linked sections of the book will make it easy to find the information you need with a click. For instance, long fluff descriptions of individual units in the “Forces of the Space Marines” chapter link to the crunchy details in the “Army List” at the back of the book and vice versa, so you can get from fluff to crunch easily.
  • Standard iBooks navigation features allows for you to move from chapter to chapter easily, and GW has made the solid design choice to make each new chapter start with a visually distinctive page so you can quickly navigate to the section you need.
  • The searchable glossary has all the game terms you need. If you don’t play a particular army or unit all of the time, you might easily forget how to use a specific skill you’re seeking. It’s faster to do a search for it in a digital glossary than to look it up in a paper copy. I’ve found that it’s also much faster to search the iBooks glossary than to do a search in a whole PDF, but perhaps that’s just me. You can also click on individual special rules within an Army List entry and have the glossary entry for the rule pulled up automatically.
  • The iBooks built-in notes feature allows you to include house rules, refinements, and tactical information near the units and/or rules they modify right in your text without ruining the look of the book.
  • The high-resolution graphics and pictures of miniatures look great on a Retina screen. For once, I could actually get close enough to see that not every ‘Eavy Metal painter is flawless. That gave me a +15 bonus to my Self Confidence.
  • The Citadel 360 (or 360 Citadel?) models are kind of neat, and let you see how the painter has managed all of the details of a particular mini.
  • You can re-use the graphics. Games Workshop probably won’t be thrilled that I point this out, but of course, you can take a screen shot of anything you see in iBooks. That means that you can grab included graphics, put them in your own graphics program, and use them for your own scenarios, RPGs, etc. For a GM like me, this may be one of the most valuable things about the Codex.
  • You can’t lose or damage this book, since you can always re-download it once you’ve purchased it. Your iPad is also significantly smaller and lighter than an actual hardcover GW Codex.

GW has made a handful funky, bad, or just weird decisions that detract from the overall experience. I suspect that eventually these things will get ironed out as companies like GW come up with standards for publishing iBooks documents, but I was surprised that a company with such a solid design team would make some of these mistakes, even on their first try.

  • The designers use the slideshow function inconsistently throughout the book. It’s not a big problem–or a problem at all from a useability standpoint–but it’s rather offputting. Some galleries have thumbnails of included images at the bottom, while others simply have dots that indicate how many images are in the current slideshow. I found the differences distracting, as I ended up trying to figure out if the logic behind the choices.
  • Similarly inconsistent is GW’s use of the Citadel 360 feature; I couldn’t always figure out why they’d decided to allow me to see some of the models in 3D and not others. If, say, they’d done 360 models of every commander and flat images of lesser units, I’d get it, but their choices didn’t seem so straightforward.
  • While you can go to full-screen for some of the graphics, allowing you to see an individual item on a plain black background, you can’t zoom in to get a better look at the details of the images in the book. For a company that prides itself on detailed miniatures, I thought this was a weird decision. Some of that may be limited by iBooks; when I’ve played with it, I haven’t had many images that needed zoom functionality, so I’m not sure whether or not it’s possible within the iBooks structure itself.
  • GW didn’t use the change page-orientation feature. I realized when creating my own iBooks that it’s kind of a pain in the arse; the engine doesn’t let you look at certain page elements when you have your iPad in portrait orientation that you can see in landscape orientation. Still, it’s often more pleasant to read long blocks of text in portrait orientation, so it would be nice if GW had given readers the choice. On the other hand, perhaps they were thinking that you would primarily use your iPad propped up on its SmartCover in landscape orientation as you played the game itself.

Here are some things I’d like to see in future Codices and other RPG/miniatures rulebooks. I realize that these high-tech details can add quite a bit to the digital file size; perhaps companies could release both a bare-bones and a digital Collector’s Edition of their books.

  • Sound. I’m a sucker for gimmicks, so I’d like to hear some sound. Have one of the Black Library voice actors read us some of that fluff at the beginnings of chapters.
  • More color. Companies cut back on color when printing because it costs so darn much, but it doesn’t cost in a digital copy. Go ahead and color in those little details at the top of the pages. Make it look more like a Fantasy Flight or an old-school White Wolf book.
  • Video. Gameplay tactics, miniature painting tips, or fluff delivered as video would take digital manuals a significant step ahead of paper copies.

Quite honestly, I’d repurchase most of my RPG/miniatures manuals if they were re-released in this format. I think the search, glossary, and notes functions alone would make them far more useful at the table than a printed copy of the book, and being able to yoink graphics from rulebooks for my own personal use fills me with joy. Further, I’d much rather carry one iPad to my local gaming store or to my friend’s house than a whole stack of hardbacks, especially if I’ve also got to carry a box filled with minis. Let’s face it; I’m probably going to take the iPad anyway, so why not cut back on other stuff I have to carry?

I will give all of the one-star reviewers the fact that there’s some sticker shock; it made my heart skip a beat to push the PURCHASE button on my iPad, since I’ve never bought any single item that expensive before. Yet I think we have to move beyond automatically valuing paper copies over digital copies. When I pay for a digital copy, I consider the unlimited downloads and the green factor, both of which are worth money to me; YMMV. In fact, if GW included video and sound not included in the paper copy, I’d highly support its costing the same as the paper book. At the moment, though, the former isn’t where we are in our cultural assessment of the value of etexts, and the latter isn’t where GW is in its iBooks production values, so they should probably offer a modest discount over the hardcover copy until digital copies become more commonplace.

I can’t tell you if you should purchase this item. If you’re a tech junkie who’s attached at the hip to your iPad like I am, then it’s a no-brainer. If you already own the paper copy of the Codex and happily lug it everywhere, then it might not make sense for you. I can say, though, that I hope other gaming companies leap on the bandwagon and use this technology, since I think it could really take gaming books to a whole new level of useful interactivity.

…and if that doesn’t prove my loyalty to Games Workshop the Emperor, I don’t know what will.

After poking around the Profantasy Software site the other day to look at something or other, I noticed the Dioramas Pro module for Campaign Cartographer 3 and picked it up. I’m not a master craftsman of cardstock scenery, by any means. After all, I started this blog by talking about my love-hate relationship with glue. Still, I like to make scenery for my campaigns, as I find that my PCs find it easier to tell the story at hand if they have a shared visual space on which to base the narrative. In my head, I was going to craft highly evocative Warhammery scenery to match the prewritten modules and/or strange and bewitching buildings to match my upcoming Skaven scenario. How cool would it be to have a building for the Garden of Morr that actually had little black rosebushes all around the building? How neat to have buildings that had been heavily “modified” by Skaven engineers (who, of course, don’t exist)?

For full disclosure’s sake, I should say that I only played with DP for one afternoon. Like everything else from Profantasy, DP has a steep learning curve, but it hardly seems impossible; I could easily figure out how to use the tools available, and the quickstart guide helped immensely. I could quickly make a series of different types of buildings that would stand up serviceably when I glued them together. It’s also very easy to change the scale of your building to accommodates different games. What’s less exciting, though, are the visual details provided within the program for decorating the buildings. Bleech. Simple line windows and doors–nothing like the buildings I would want to create. It’s possible to export the skeleton of your building and put it into Photoshop or Pixelmator so that you can do some graphic manipulation there. In fact, I’m pretty sure that’s what I’ll use DP to do. Still, it would be nice if it were easier to export the images, and even nicer still if the graphics sets in DP were a bit more elegant.

I’m not sure I’m pleased with this purchase. I like the flexibility of crafting any kind of structure I want, but honestly, I’m not sure how often I’ll use it. Part of me wishes I’d just bought some blank cardstock building skeleton files that I could manipulate in Pixelmator. (Those must exist, right?) Still, I think that’s more of a failing of my not really considering how the product was designed than a failing of the product itself. DP seems quite powerful if you’re into the “engineering” side of things. It’s just that I’m more on the “put funny visual jokes on the side of the buildings” side of things instead. Lesson learned about rampantly consuming things I don’t need, I guess. At least until the next intriguing thing I don’t really need comes along. 🙂

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